Scrapbook.
Subliminal hints.
Fragmentation.
Hell is other people.

asylum-art:

Benjamin Carbonne 

Facebook

Benjamin Carbonne was born in 1970 in France. Self-taught, he invested in 20 years this art, “says” what bothers him, the key to sometimes expresse violence, or that another world and eventually give way to something else in him. The artist paints often tormented beings, this period  of his work will focus on the sometimes sweet and sensitive, but also very often torn, torn or distorted with pain faces, the cry, the need for expression. In 2009, this is the command of a “pieta” that will cause a different body work.

After hitting with intensity expression of what could be more lively, more skinned him like humanity, Benjamin naturally takes this new way to work on the other bodies or faces, revealing all their power in contrast depth and lightness, precision and pictorial space to the imagination.

wizardboners:

Rare promotional flyer for ‘Spine’.
Coming soon for Massacre Video.

wizardboners:

Rare promotional flyer for ‘Spine’.

Coming soon for Massacre Video.

earthwreck:

Kieth Flint from the Portigy@szpider

earthwreck:

Kieth Flint from the Portigy
@szpider

nightspeech:

does anyone remember when i found that neat 80’s Elric cosplay photo (top left)…well i found more this morning!

(Source: fanac.org)

(Source: facebook.com, via greatgrottu)

abystle:

The Werewolf or The Cannibal, Lucas Cranach the Elder, c.1512.

abystle:

The Werewolf or The Cannibal, Lucas Cranach the Elder, c.1512.

(via supernatural-bread-machine)


"Death is not the worst… Can you imagine enduring centuries, experiencing each day the same futilities…"
Nosferatu the Vampyre (1979)

"Death is not the worst… Can you imagine enduring centuries, experiencing each day the same futilities…"

Nosferatu the Vampyre (1979)

(Source: vintagegal, via clickernoises)

(Source: horrormovieboy)

tenebrum:

La Mère et La Mort by Rodolphe Bresdin (1822»1885)

tenebrum:

La Mère et La Mort by Rodolphe Bresdin (1822»1885)

(via throne-of-perdition)


Eccentric Growth, Louise Bourgeois, c. 1963-67, red ink on paper

Eccentric Growth, Louise Bourgeois, c. 1963-67, red ink on paper

(Source: female-arthistory, via hoanbee)

drakontomalloi:

Francisco de Goya - The Constable Lampiños Stitched Inside a Dead Horse. N.d., 1812-20

drakontomalloi:

Francisco de Goya - The Constable Lampiños Stitched Inside a Dead Horse. N.d., 1812-20

mediumaevum:

Unusual portrayals of Adam and Eve in a XV century Book of Hours.

Read all about it on The Public Domain Review

(via demoniality)